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Ukrainian Village MusicVarious ArtistsCD 7030
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Buy It Now!
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Historic Recordings 1928-1933.
Restored recordings drawn from historic 78rpm discs.
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Listen to some of the tracks!! (uses RealAudio®) 1. Dowbush Kozak - Ukrainska Selska Orchestra 2. Newelnik - Ukrainska Selska Orchestra 3. Tramla Z Pod Pagorka - Orchestra Bratia "Holutiaky-Kuziany" 4. Chytry Tanecne Cardasy - Orchestra Bratia "Holutiaky-Kuziany" 5. Kolomyjka Powitowa (Part 1) - Ewgen Zukowsky 6. Kolomyjka Powitowa (Part 2) - Ewgen Zukowsky 7. Daliwskyj Tanec - Samuil Pilip's Lemkiwska Orchestra 8. Skrypka Hraje, Bas Hude - Samuil Pilip's Lemkiwska Orchestra 9. De Ty Buw, Janiczku? - Samuil Pilip's Lemkiwska Orchestra 10. Kozak Dla Molodych - Ukrainska Selska Orchestra 11. Zalaniwska Hreczka - Ukrainska Selska Orchestra 12. Pidkamecka Kolomyjka - Josef Pizio 13. Ruzia Kaczky Zahaniala - Josef Pizio 14. Polka "Czariwnyj Kaminetz" - Josef Pizio 15. Kozaczka Szumka - Theodore J. Swystun 16. Kozak - Joseph Davidenko 17. Ebba - Trembita Orchestra 18. Nina Polka - Trembita Orchestra 19. Tanec "Husar" - Michala Thomasa/Ukrainska Orchestra 20. Pidhirska - Michala Thomasa/Ukrainska Orchestra 21. Zydiwoczka Na Seli - Petra Rosady & Ukrainska Orchestra 22. Shnel Polka - Ukrainska Selska Orchestra 23. Marusia - Ukrainska Selska Orchestra 24. Kolomyjka Lubka - Ukrainska Selska Orchestra |
REVIEWS Wow! Another terrific release from Arhoolie. Again kudos to reissue producer Chris Strachwitz, editor Dick Spottswood and the technicians who cleaned up those musty 78s to give us a crisp, clear window into the past the sound is impeccable. Earlier reissues have featured the `dean' of Ukrainian fiddling, Pawlo Humeniuk (on one cut here), who had classical training. The lead fiddlers on this disc all appear to be self-trained village musicians with a ton of fire, piss and vinegar (they probably were fueled by liquor, as the entertaining notes allude). Most of the bands feature a lead fiddle with fiddle accompaniment (a la Hungarian kontra, chordal backing) and bowed bass. Some also feature the cymbaly (like a hammered dulcimer) and percussion, much like a bodhran. All the two dozen selections excited me but none as much as the three by Josef Pizio (I'd love to hear more of him), as he changed from 3/4 to 2/4 in his Lemko (West Ukraine) numbers. Highly recommended for fans of ethnic fiddling. This has similarities to Polish and Hungarian playing and is a sheer joy.(Kerry Belch Victory Review) |
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This recording comprises 77 minutes of fast tunes in cut time. The introduction by Anisa Sawyckyj notes: `Ukrainian folk music can be melancholy or jolly. When it is melancholy it is very, very melancholy. But when it is jolly, it is infectiously so, setting hands a-clapping, feet a-tapping, and all folks a-hopping. The country dance tunes you hear on this disc belong to that latter category.'
Lovers of American old-time down-home fiddling will instantly relate to the ambience and their feet will indeed be tapping. Many of these jolly tunes are in the same jolly key, which can be a bit wearing. The jolly lead fiddlers are almost always accompanied by second fiddle playing ceaseless offbeats and lovely woofy bowed bass on downbeats. When a guitar and mandolin track came along near the end of the recording, I gasped with relief. Other exciting moments were occasional excursions into minor-key passages and some bass lines which seemed to have wandered in off the street, having emigrated from other, incompatible tunes. Loud huzzahs of appreciation to the techno-wizards whose magic removed surface noise from these old recordings. They did their job so well I listened happily without even remembering how painful it used to be to hear archival collections. (Jane Peppler Sing Out!) |
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