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Aziz Herawi

“Master of Afghani Lutes”

CD 387
CD upc: OUT OF PRINT

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Aziz Herawi - dutar and rebab; Ghulam Abbas Khan - tabla; Omar Mojaddidi - zirbaghali; with Azim Mojaddidi - daira zangi (tambourine); and Anayat Habibi - daira zangi on some cuts.


Listen to some of the tracks!!
(uses RealAudio®)
A: Nagmaha-ye Klasik in Rag Beiru (Instrumentals on dutar)
1. Jhaptal / Dadra
2. Kaharwa
3. Kaharwa / Dadra
4. Charbeiti Kaharwa
5. Kaharwa / Dadra II

B: (Instrumentals on dutar)
6. Aushari
7. Naghma I
8. Mahali I
9. Khandan-E Amaturi I
10. Khandan-E Amaturi II
11. Khandan-E Amaturi III

C: (Instrumentals on rebab)
12. Naghma-Ye Klasik In Rag Pari
13. Naghma-Ye Klasik In Rag Pilu
14. Mahali II
15. Mahali III
16. Naghma II
17. Naghma III

REVIEWS

“An expatriate Afghani currently living in California, Herawi calls himself an amateur musician but is actually a rare performer of the traditional music from the Herat valley in western Afghanistan. As its geography suggests, this area's music is a blend of Persian and Hindustani instruments and styles. The pieces have the varied rhythms of the Hindustani raga forms, but are fairly short (3 to 5 minutes each) and more intense than much Hindustani music. In addition, their melodies are based on the even-tempered 12-tone octave that in recent decades has overtaken the traditional Persian system of microtonal variations.

He plays the 14-string dutar, a long-necked lute, and the rebab, a short-necked lute, accompanied by tabla, frame drum, and tambourine that provide a vigorous and dry rhythm for his robust strumming. Herawi's strength is the energy and spontaneity of these instrumental pieces. Rather than refinement or cerebral meditation, there is a healthy share of earthy melodies and passion.”

(Dan Maryon — Option)

“A raucous improvisatory performance that had the audience clapping along(Aziz Herawi's) playing was about abandon and ecstasy, with intense sections of improvising- always grounded in a galloping rhythm- giving way to delicate, airy moments, soon forgotten in a flurry of heated improvisation.”

(Peter Watrous — New York Times reviewing a live performance)

“... Another unexpected find on the same label is Master Of Afghani Lutes (Arhoolie CD 387) by Aziz Herawi. Currently exiled in California, Aziz is (like Salif Keita) not a member of the lowly musical caste by birth; but a landowning shauqi (cesthete or enthusiast). This does not detract from his abilities, showcased here on both the fourteen-string dutar (a long-necked lute) and the short-necked rebab. Like many Arhoolies of old, the bulk of this disc was recorded by Chris Strachwitz at a house party, with Ghulam Abbas Khan (nephew of Salamat Ali Khan) the principal accompanist on tabla. Many of the influences on modern Afghani music are readily discernible here - from Afghani folk tunes to the more recent introduction of a Hindustani-influenced musical structure, and of course the fluid ringing tones one associates with other long-necked lutes as far west as the Turkish baglama. The result is a satisfying and surprisingly accessible disc.”

(Folk Roots)

 


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