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Tejano Roots:
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Tony De La Rosa - accordion & vocals with bajo sexto, bass, drums, etc.
24 Original hits from 1953-1964.
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Listen to some of the tracks!! (uses RealAudio®) 1. La Palomilla 2. Los Tiliches 3. El Sube Y Baja 4. Adios Amor - (with Carmen & Laura) 5. Sylvia 6. El Guaracha 7. La Grulla 8. Paloma Sin Nido 9. El Celo Me Tortura - (with Isidro Lopez) 10. Sufriendo Y Penando - (with Isidro Lopez) 11. Los Frijoles Bailan 12. Copas De Placer 13. El Circo 14. Amores Que Van Y Vienen 15. Atotonilco 16. Todo Lo Conciento 17. Anita 18. Dos Lindas Palomitas 19. Mis Brazos Te Esperan 20. Paloma Negra 21. Ana Rosa 22. Tantas Mentiras 23. Una Cualquiera 24. Perdi El Albur |
REVIEW If ever an album needed to be in chronological sequence, which it strictly isn't, but close enough, it's this collection of 24 original 1953-64 hits by one of conjunto's greatest innovators. Starting with a traditional instrumental lineup, Tony De Ia Rosa, born on the King Ranch, evolved in this period to a full electric sound with drums, electric bass, and amplified bajo sexto, which took care of the dance beat and left the accordionist free to concentrate on melody and vocals. By 1964, he had also added horns (`Una Cualquiera' and `Perdi El Albur'). Not immediately successful, De La Rosa and his conjunto backed Carmen y Laura (`Adios Amor') and Isidro Lopez (`El Celo Me Tortura' and `Sufriendo y Penado'), before connecting with a string of polkas, `Sylvia,' `Los Frijoles Bailan,' `La Grulla,' `El Circo' (his first big hit), `Atotonilco' and others, plus huapangos, rancheras and boleros. Still performing (his first album in five years is due soon from Hacienda), De La Rosa virtually created the sound of modern conjunto and remains one its great masters.(John Conquest Music City News) |